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SHORT STORY: A Fae Amongst Humans

Many things are believed about the fae, many are wrong. We do not want something as useless as your soul, nor can we do nae beyond call your attention should we learn your name. Accepting a gift is no more dangerous than denying one, and identifying which of us might want to eat you is about as difficult as pointing out any other predator. Now, I wouldn't suggest following a fae into the forest, but not because they will lead you to an untimely end. The fae aren’t dangerous, the forest is. Fae or not, the wild forests are not a place for many a untrained man. We fae wander the groves because it is our home, we are welcome there, and we know it well. But just as so many children of Homtear can’t resist the allure of my home, so too does this child of Renarianae now find themselves drawn to theirs.

Rarely do our species ever cross paths in a way that is not violent, yet curious how similar our customs for reverie are. The sun is still high aloft, and yet you have already begun your celebrations. Drinks flow abundantly from your stores, colorful drapes are strewn everywhere, and irreverent music rises above the tree canopies. Before long, dusk will pall over the grounds and joy will renew as torches and candles are lit and new festivities will begin. And by that point, no matter the direction you look, people will be laughing, dancing, and singing. I have enjoyed such jubilance many times over the centuries, so why then does my heart throng with desire to join you.

Anxiety claws at my mind as my eyes stay transfixed on the spectacle. While we caution you against venturing into our woods, you rarely offer such a warning if one of us is spotted within twenty roots of your village. Mothers will scream, cry, and clutch their children, something about them not being my next meal. Your men will grab whatever weapon they have nearby, occasionally calling for others to grab the “Cold Iron”... cute and absolute nonsense, that one.

A quick glance at my current equipment tells me that should I go as is, the standard response would likely occur, and your festival would turn into a hunt.

The leather straps of my weapon harness creak as I undo the first buckle, and again as I undo the second.

“May you be as discreet as bark in a forest, and as bright as the moon’s shadow.” I whisper to my blades, wrapping them in the flattened strips of hide, and tucking them into the crook of a nearby tree.

I review myself once more, the obsidian fibers of my tunic and pants a perfect compliment to my pale, ashen skin. While they may be to my liking, it is doubtful you will accept me as I am.
“Can’t do much about the clothes, so I suppose the skin will have to change.” I whisper with a disappointed sigh.

“Faeohilgahreean”

Sunskin.

No sooner than the last phonetic had left my lips did the hue of my flesh begin to change. The soft volcanic grey gradually transitioned to a golden tan reminiscent of a sun-kissed beach. A far cry from the gilded glow of my high-browed brethren, but it should do well enough to keep some ale-blind hunter from looking too closely.

One obvious giveaway down, two pointy ones remain.

If there was a Songword that could round my ears, I never had a chance to learn it. Course, such a word would understandably be considered abhorrent, barely different from my current actions or plans. I needed something to cover them, and my options were slim. My hair would have to do, but not as it is.

When was the last time I undid the ribbons that held my braids? My hair had stopped growing somewhere into my seventeenth decade. Those first ribbons were used later for my sister’s binding ceremony. Which was one century later? Maybe it was two.

My thoughts drifted through history as the winding cords of cloth slipped free from the onyx strands. Now I needed inspiration.

Feminine Humans were more common to wear their hair long rather than men. The first of which I spotted was a child, laughing merrily as she sprinted away from a taller woman.

“Careful, mummy. Such a toddler may be my pre-festival snack.” I mused, dropping my voice low in a tone meant to mock the villains in the tales that the fairies would tell us.

I chuckled to myself, taking note of their hair. The child had braids not too dissimilar to the ones I just untied. No good.

The mother, or older sister perhaps, had long auburn strands that extended down to the mid of her upper leg. Were that any gazed upon me, I would not have been able to hide my admiration, as only fae royalty lived such a lax enough life in their youth to get hair that reached such lengths. Where the royals would drape their hair wherever it pleased them, this human had a few simply knotted cords at odd intervals down her back, enough to give her rounded reddish bulbs of dead keratin.

While decent. A simple pullback would not reliably hide the angled cartilage that signaled my heritage.

Dozens more girls came within view of my lookout, many sporting the same general looks as the last. Some had hats, or strips cloth wrapped around their temples. A hat can be easily removed, and found myself absent of suitable cloth to use as a wrap.

Alas, a maiden accompanied by a youthful male provided my solution. Her hair hung to her waist, mostly free flowing, save for two handfuls, one pulled to each side of her head and pulled together in the back. The strips held her loose hair close to the side of her head. With such a style, only should the tie in back give way during a storm would there be any risk of someone seeing her ears.

I did my best to emulate the style. I am certain I managed a comical mockery, at best. Whyever bother with learning to style my hair, if it is always already braided?

Absent a looking glass, a touch of my hands to the sides of my head would have to suffice to ensure I was properly ‘covered’. Everywhere my fingers touched, I only felt hair.

“As the night conceals the prey, may the shadows hide my truth.”

With that short prayer, and deep breath, I entered the clearing and approached the village, their songs growing louder in every step, the melodies drowning out the deafening thumps of my heart.

- - - 

 

- - -

The burlish man slapped the table in front of him. I had first thought such actions a threat or a challenge, but your kind are just violent even in your joy.

“You mean to tell me. That a dainty thing like you…” the man paused to drink from his stein, his third since our conversation began. “...has crossed the Kea Peaks. All because your mother wanted some rockchewer’s honey!?”

“There is a rich forest that extends the whole way. Makes the trip fairly easy.” I confirmed with a smile and a nod, already anticipating his response.

He screamed and howled, slapping the table again as another thunderous guffaw clawed free from his throat.

“A forest rich with Fae! Fae of all kinds too! Ain’t nobody crossing through there for anything less than a king’s ransom. That’s rich!” He exclaimed, wiping a tear, or maybe sweat, from his eyes.

“Tell ya what. While only a recently weaned babe might believe ya. That tale was grand. And in celebration of your mum getting her drink, what say I get ours! A round of spiced honeywater!”

The outdoor tavern roared in response and the band kicked off a new song in celebration. 

Not a moment sooner and a firm hand took my arm and wrenched me onto the open plane of waxed wooden planks. I had recoiled out of instinct the first time any of you had tried such things, but now the palest night couldn’t hide my smile nor could the strongest wind down out my laughter.

You all dance like children playing in the rain. It lacks any sort of finesse. Not a strand of grace was found as you jumped and stomped your way across the floor. But if that isn’t your life itself. Your lives come and go faster than any other established species. Why wouldn’t you choose to live a raucous life?

I have stolen my way into your home, so it is only fitting that I live as you do.

I stomped my heel against the laid lumber, the former members of my forest sang back up at me. Where you just hear a resounding thud, I hear the joyous call of a tree’s spirit still happy to serve purpose after having left its roots behind.

Human dances are simple with such few steps. Likely so you don’t have to spend too many precious minutes learning them.

I leapt with the group, slapped my hands together, and cheered. My feet had not barely returned to the floor before the cyclone of human bodies resumed and I found new dancer partner after new dance partner.

Everyone able-bodied individual danced. Young and old. Those whose bodied denied them the opportunity to partake, sat or stood by, still stomping their good leg and hollering when the opportunity arose.

The song lulled and the crowd’s energy followed. My final partner was a young human girl who stood no taller than my waist. Both our hands were intertwined as we finished the concluding bounce.

“Thank you for the dance.” I said to her with a short nod of my head.

She giggled in response before bounding off into the crowd. I just smiled, chuckled to myself, and stood back up.

“Her name’s Gemma.” A deep, but undoubtedly feminine voice stated from over my shoulder.

I turned to thank the stranger. A young fair-faced woman stood a few feet away, a small grin tugging at the edge of her thin lips. She wore plain cotton clothes with a damp maroon apron tied around her waist. 

“A lovely name.” I lied.

“What’s yours, curly?” She asked.

I glanced around in confusion. She gestured to her own hair, which was long, but straighter than an arrow. I looked at my own, and between being in braids for several centuries, and an evening full of merrymaking, I now sported a head of thick black curls. I fidgeted with the inky loops for a moment, both to appease her comment, and to make sure the new style hadn’t betrayed my disguise.

“Syn-” I paused. Fae names were rather unique compared to human ones. I searched my mind for human names. But only famous ones came to me, and none started with the syllable I had already uttered.

“Sin?” she asked, her face painted with a quizzical scrunch.

“No. Sorry. That’s a nickname my Mom gave me.” Not a complete lie.

“That’s a fairly mean name for a mother to give her child.”

“Well. She was a mean fairy.” I quipped, chancing that my play on words would hide the truth of my statement.

The girl put her first to her lips, squinted her eyes, and looked me up and down a few times before speaking again.

“How about… Cindy.. Like Cinderella. Since you, my princess, are clearly away from home.”

I froze and watched the stranger, now trying to determine whether I needed to sprint away. She only smiled in response.

“Relax. I just know everyone in this town, and you stand out about as much as a rooster in the hen pen. You look like us, but you clearly don’t belong. Where ya from?”

“Um…. I came from the west.” I fumbled.

“So you actually did come from over the Kea range?” She asked. This person had clearly been listening to my earlier tale, and isn’t as trusting as she has let on.

“Your friend didn’t believe me.”

“Well, ain’t never seen someone like you from anywhere else.” The inquisitive woman stated plainly. I needed to change the subject.

“You have my name, may I get yours?” I asked.

“Clara.”

Gemma. Clara. What meaning is there supposed to be behind any of these names?

“Nice to meet you, Clara.

“Likewise, Cindy. Take care now.” She said before flashing me a wink, and heading off back amongst the crowds.

I barely finished processing the short exchange before the band kicked up a new song and the dancefloor was bustling with activity once more.

- - -

 

- - -

The night now blanketed the land, hours of dance and drink left the attendees a bit more relaxed.

I found myself sitting at a table with a table of young humans. They weren’t as youthful as the children, they stood as high as the adults, but their faces and behavior betrayed their claims that they had reached maturity. They were kind enough not just to invite me to their table, but to teach me a strange game of cards and dice they were playing.

“8 of hearts and side-by-side fives. That’s an armored 13.” The messy haired boy named Douglas explained.

The other player, a burley lad who went by the moniker “Tubs” laughed in response before laying down a card from his hand and picking some dice from his rolled pool.

“Jack of spades. Pointed threes. Piercing 13. Another draw.”

Douglas slumped in his chair with a defeated sigh.

“What’s the point in playing if you always go for a draw?”

“Well. I don’t want you to feel bad about losing.” Tubs responded with a wry smile.

“Failing to win doesn’t make me feel a lot better either.”

Tubs only shrugged in response before turning his attention to me.

“You want another go, Cindy?” he asked, collecting up the cards and dice. I raised my open palm in front of me in response.

“No thank you, I should really be going.”

The group paused, looked at one another, and looked around the festival grounds.

“Go where?” the young blonde girl named Sohra asked.

“Home.” I responded, not realizing how strange that answer was going to be.

“Wait. Who are you staying with?” Douglas asked.

I had meant the forest. But couldn’t just outwardly admit that. I looked around the group, realizing that I was now being interrogated. I searched for answers in their eyes, but only found more incoming questions. I only had one card I could chance.

“Clara.”

The group glanced amongst themselves again, and then back to me with raised eyebrows.

“I think you might be better served outside on a pile of hay than pay whatever cost Clara is probably extorting you for.” Douglas quipped.

“No joke. If you haven’t paid her yet, you should just stay with me!” Sohra chimed in.

“What, and cram in that tiny room with you and your five sisters?” Tubs poked.

“Better than suffocating in that pigs pen you call a room!” Sohra bit back.

The group erupted into a series of insults and bickering. I finished the last of my drink and stood up, shaking the empty cup their way before heading up towards the bar.

I didn’t intend on getting another drink, while it would be difficult to get properly drunk by even the strongest of the human ales, quantity can make up for quality, and I had more than my fair share. I placed the cup on the wooden counter, the barkeep nodded to me as I placed a few silver coins next to it. 

I was about to turn to take my leave when I felt a small tug on the hem of my tunic.

I turned and found a sleepy-eyed Gemma holding onto me. She looked up at me half-lidded and gave a weak smile.

“Hello Gemma. Now where is your Mom?” I asked, scooping the young girl into my arms.

“I don’t know.” she yawned. “But we live by the fountain.”

I patted her on the back.

“Good job. Gemma. Let’s see if someone is waiting for us there.” I said, as I felt her body get a bit heavier as she leaned completely against my shoulder.

The village was small, so it was barely only a minute or two’s walk to the fountain, and there I spotted a very concerned looking woman asking each passerby if they had seen my passenger. I wasn’t carrying a torch, so it wasn’t until I could near reach out and touch her did she notice my presence.

“Oh, dearie me, girl. You jumped out the night like one of them sirens.”

I elected not to explain that sirens are more water bound creatures, and they normally want you to come to them. Let’s hope she never has to actually learn the difference.

“I’m sorry, dearie. But, have you seen my dear  Gemma. She is about yay high and-”

“Mommy?” Gemma responded, cutting the woman off as she was extending a hand out parallel to the ground.

Gemma then turned and slowly emerged from the tangled black bush that now made up my head.

“Gemma!” the lady cried out, reaching for the child and relieving me of the weight. “Thank you for bringing her home.”

I only offered a smile and a nod in response.

“You should have seen her Mommy. She danced like a fairy. Hey lady, are you a fairy?” Gemma asked, a small burst of energy forcing her weary eyes open.

“Now now, Gemma. The time for silly games is over. Let’s get you inside.” her mother cut in, picking Gemma up, laying her over her shoulder, and making towards the house. Gemma looked up at me from her mother’s back, her eyes now open with expectancy.

I lifted both hands up towards my head, the right hand pulling back my hair while my left index finger pressed against my lips. I winked at the young girl as the brisk night air kissed the pointed tip of my ear.

Gemma’s eyes grew larger than dinner plates, she went to gasp, then jolted her hand up to her mouth. She scrunched her face in an attempted wink, and then mimicked the shushing gesture. A moment later, and the front door to her family’s home closed between us.

I glanced around to make sure nobody else witnessed my little stunt. It was risky, but if the fae love one thing, it is play.

Without another word, I retreated away from the torchlight, found my route away from the village and back toward the trees. Back home.

 

- - - - - - - - - - 

 

Prompt: A Dark Fae innocently joins the local human festival.

Royal Road Proof - https://www.royalroad.com/profile/489600

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SHORT STORY: The Chosen One

Rays of sunlight poured into the Senate’s chamber, illuminating every floating spec of dust. Their soft movements the only offering to break up the grey sea of stone that comprised the drab meeting hall.

I glanced around the room, attempting to gleam what the other Senator’s might be thinking. Some maintained their composure, but most were beaming with hope, promise, or excitement.

Silence weighed heavy in the air as the young man at the center podium stared at the contents of the wooden case.

“What… is this?” He asked while looking up from the case, brushing ashen curls from his face. His eyes narrowed as he scanned the room, their brilliant golden glow piercing through the dust veil as though God himself was our interrogator.

Senator Tharros stood with a confident nod to the rest of us. His straight brown air stretched to his shoulders, framing his wrinkled face. He looked down towards the center pulpit with a soft gaze.

“That is your sword, Theo. The Blade of the Chosen One.”

Theo stared at Senator Tharros for a moment before looking back into the case.

“It’s shattered.”

“Aye, it is. Your predecessor nearly destroyed it during their battle with Mara.”

Theo squinted up at us, his eyes flicking between our watchful stares. My chest tightened with panic every time those gilded searchlights rested on me.

“Yet, Mara has returned. The sword didn’t work.” He said, his eyes resting back on Senator Tharros for a response.

The smiles faded from many of the Senator’s faces. Their excitement drained at the doubtful words spoken by their believed hero.

Tharros stood resolute, any concern he might have had was locked behind his stalwart demeanor.

“Nay. It banished Mara for nearly a century. Should you mend the-“

“Forget it.” Theo interrupted, closing the wooden case.

Gasps of shock escaped the lips of a few Senators. Senator Neia stood with a pointed hand. Tharros raised an open palm to the table before anyone had a chance to speak. Neia sat back down and leaned forward on clasped hands.

“Theo.” Tharros sighed. “If we don’t stop Mara…”

“I didn’t say I wasn’t going to stop her.” Theo responded, his tone flat and cold.

“But how do you hope to–“

“I’ll figure something else out.” Theo interjected again, before turning and walking out of the chamber.

A deep thunder echoed throughout the hall as the stone door closed, each resonance hammering into my chest like the beating of Death’s drums in the distance. Tharros returned to his seat and abandoned his professional stature, leaning forward and resting his face in his palms.

Senator Neia was the first to break the solemn silence. She stood again with her head hanging towards our table. I couldn’t see her face, her long black hair obstructed it, but her dismayed tone told me plenty.

“We’re doomed. If he will not take the sword, we have no hope of stopping Mara.”

Nobody responded. We all knew that the chances for survival were already slim.

Tharros exhaled, taking several seconds to empty his lungs before filling them to reply. He turned to me as he spoke, his soft eyes now darkened wells of despair.

“Mell. He is your son. What do we do?”

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 INSPIRATION: @MicroSFF on Twitter.

 

"What's this?" asked the Chosen One.

"Your sword."

"It's broken."

"The previous Chosen One used it in the fight against the Evil God, and it broke in the battle."

"So it didn't work."

"But when it's mended-"

"It didn't work. I accepted the job. I'll figure something else out."

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REVIEW: Bloodstained: Ritual of the Night

Before we begin, we need to establish some background.

First, Bloodstained is my first “Castlevania” style game. The only true Castlevania brand game I have played in the past is Castlevania 64. Which, that doesn’t count. I did play through Hollow Knight, but the combat direction of that game is fundamentally different from the core Castlevania design.

Second, I played through the game on the Nintendo Switch. Now, I did see before I began that Bloodstained had some issues on the Switch initially, but that the majority of them had been corrected in the time since its release. While I did experience minor issues. These were primarily performance issues, with frame drops when there were a significant number of effects on the screen. Which I attribute that more to the Switch being made from Tablet Parts circa 2009 rather than the game itself.

Now, let’s get into it.

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Bloodstained: Ritual of the Night is a Metroidvania developed by ArtPlay that released in June of 2019 after a wildly successful kickstarter campaign that raised over Five-and-a-half million dollars.

We play as Miriam, a “Shardbinder” that is able to take the shards that reside within the bodies of demons, infuse them into to her own body, and use their powers to either grant her power-ups or special abilities.

Not only is this a core part of the gameplay, but it is also the crux of the story as well. Another Sharbinder has went rogue, is holed up in a demon castle, is tormenting the local village with the demons, and looks to be potentially bringing about the end of the world.

Our journey opens on a boat with a friend informing us that we have been asleep for 10 years and then exposition dumps on us just before the ship gets assaulted by demons. The ship serves as a small tutorial area, offering a contained explorable environment with secrets, discoverables, and an approachable boss fight before opening to Dracula’s Gebel’s Castle.

We explore a castle seeking out to stop evil with some story “twists” that are outdone by most 90s cartoons. Ending in a climax that can be largely summed up as “And so the demons were defeated and the survivors lived happily ever after.”. The most notable character beyond Miriam is a vampire librarian that allows you to buy power-up books and genuinely thanks you when you return them.

There isn’t a single piece of the story that stands out in a positive or negative light. It just exists.

But a generic story doesn’t immediately spell out a bad game. Some games have next to zero story. It simply means that the story won’t be what drives you forward. Which leaves other aspects of the presentation to pick up the slack. Visuals, Setting, Combat, Gameplay Loop, Flow, Etc.

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The visual style of Bloodstained is its most defining feature. A beautiful presentation that manages depth within the limitations of the 2D side-scrolling formula. Rich colors with heavy lines which root the game in its “Stained Glass” motif. This goes even beyond just the environment. The characters share this painted look, which in the dialogue sections where the models are larger gives them personality and life.

This however doesn’t extend to the enemies, who despite still using the same style, stand out awkwardly against the environments rather than being a natural part of it. This is more likely due instead to awkward movement animations that makes them unnatural for both gameplay and visual purposes. They present as robotic entities playing an animation file rather than genuine enemies.

Regardless, this style offers a unique painted life into Bloodstained that you would be hard pressed to find in most other games.

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I struggled the most with Bloodstained’s gameplay, not with difficulty but with finding the fun. However, after speaking to some long time castlevania fans, it feels right at home with where the series has sat for decades.

Nothing within the gameplay formula is appealing to me as a newcomer, it all feels antiquated. While this game is a direct successor to Castlevania, it also feels shackled by the legacy of the past.

Movement through the the world felt as though the air was filled with thin oil. While playing I messaged a friend regarding this and they commented it might be due to the Switch. I tested the game on Steam and GamePass, and found the movement to still be sluggish.

I believe this to be intentional design. Both as part of the Castlevania legacy, and to lend a form of difficulty into the game. The primary source of damage I took throughout my playthrough was from enemies bumping into me, rather than attacks (even when those enemies had actual attack animations). I just kept wanting a proper “dodge” button. Now, you could say that jumping over an attack or running to the left to avoid the “slam” attack is a ‘dodge’. But this to me is more of just using already poor movement to get out of the way, rather than an actual dodge function. Maybe I have just played too many Soulsians.

Even had smoother movement been available, Miriam’s arsenal left me disappointed. While the weapons and spells were visually appealing, they both fell short in different ways.

Weapons always fell into one of two categories. Either depressingly weak, or trivially powerful. This made it difficult to find a properly challenging altercation. Weapons also have techniques that utilize traditional fighting game inputs to execute a special move. This gave each weapon depth, further supported by the option to master these abilities to use them across an entire weapon type. I didn’t use these abilities much, not because they weren’t useful or appealing, but because the weapons I kept choosing either had few or sometimes even zero techniques.

Magic is the other tool at Miriam’s disposal. Acquired from the corpses of your fallen enemies, Spells come in a wide variation of types and effects. Unfortunately, the majority of the spells are all damage spells, and do surprisingly little damage, which makes their usefulness limited. I was informed that most needed to be leveled up, but limited resources meant that you had to choose carefully. I picked some basic ranged spells and only when leveled up almost to max did they achieve damage that felt mildly serviceable.

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            Bloodstained: Ritual of the Night is overall a strong presentation from a new studio made up from industry veterans.

            It will undoubtedly be heralded as a darling example of how to do a true spiritual successor, and a great example of a wildly successful and well handled kickstarter that translated into a beautiful product.

            While the game and I clearly do not mesh well, that doesn’t discredit the quality that exists here. I would caution newcomers to the genre to check your expectations at the title screen. Bloodstained should be compared to the legends of the past, not the heroes of today.

-          Schwahn

 

Generic Review Score and Blurb:

- 8/10

- Bloodstained is a beautiful presentation marred by the antiquities of the genre. To a fault, it fulfills its role as a spiritual successor to Castlevania. While an enjoyable experience, the weight of its legacy prevents it from ever truly shining.

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A1S1E4 – Avatar: The Last Airbender

Book 1, Water: Chapter 4 – The Warriors of Kyoshi

 

So, lets start out with a major negative I am having with Avatar at this point, which is time and scale. If you check out my notes at the bottom, there is a majorly confusing aspect in this series when looking at it critically. Which that is the size of the world and the amount of time things take.

Sokka learns an entire fighting style in an afternoon. Which, we could chock that up to him just being a natural learner when it comes to fighting. But that isn’t the grossest bit here. The problem more exists with travel time and the scale of the planet. The crew earlier on believes they are lost because there is “nothing but Ocean”, but Aang was heading to ride the Elephant Koi. All well. The next morning, someone tells a fishing trader that the Avatar is at the village, and by late afternoon, Zuko is rocking up on the dock.

That would mean that Zuko was at most, a 4 hour boat trip away, MAYBE. Which, looking at the map, would mean either the Fire Nation ships are insanely fast, or the world is insanely small, and I genuinely can’t tell if it is either one, or just a hole that exists within the storytelling of the series. While note genuinely a big deal, it is GLARING.

But, that aside. How is the episode itself.

Um, fine? I feel like the subplot of Aang and Katara’s connection to one another isn’t given enough foundation for it their spat to feel impactful. Neither Katara nor Aang really do anything meaningful in the story or for one another, despite that being a pitched angle for the episode. The episode also doesn’t really have time to expand on any of these things either, since the conflict starts and resolves within the short runtime. Although, quick ups for Katara saving Aang with some high-powered water bending.

The star of this episode is definitely Sokka, and he definitely earns some points here. The humility and maturity of his character in his interactions with Suki and the other Warriors of Kyoshi is very defining for his character. We see a side of Sokka that we haven’t gotten yet. A deeper side of his character is given an opportunity to shine here that makes us genuinely interested to see more of him. It gives him a pedestal to stand on that isn’t simply “funny non-bending character”.

 

On to Episode 5.

 

Also, should we do a LITERAL points system for characters? I think I might. Will mull it around.

 

Find all current Anime Analysis of "Avatar: The Last Airbender": HERE

The Anime Analysis for the next episode of "Avatar: The Last Airbender" is: HERE

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LIVE WATCH NOTES AND COMMENTS:

-          There are other Air-Temples, right? Why does Aang necessarily believe that just because the Southern Air Temple is wiped out, that the other temples are also wiped.

-          Why… wouldn’t you need pants…

-          Katara challenging the Patriarchy. Noice.

-          Elephant Koi Fish. I love it.

-          Aang doesn’t fear much. He jumped into freezing water completely stripped, and rode a GIANT fish like it was just a casual activity.

-          Aang is adorable, how he strives for Katara’s attention.

-          Oh, Aang is jesus.

-          “My brother’s just an idiot.” – Perfect.

-          So, are the Kyoshi… Earthbenders?

-          Time in this show is wild. How long did the crew hang out with the Kyoshi? Long enough that the news made it all the way to Zuko.

-          WAIT!? It has only been one day? They kicked Sokka’s butt yesterday? Is that the same day they got captured, or did Sokka get beat up again? I don’t understand. What is time!?

-          “I hope it all doesn’t go to your head” – “You know me better than that?” – Does Katara actually know you Aang? How long you been together… like… a week?

-          Aang’s air-ball deflated so he fell into the back fo girls. What are the limitations on bending? It doesn’t seem consistent.

-          Using AIrbending to do air-pushups is hilarious.

-          Sokka… you’re about to get completely wrecked.

-          Idk who this lead warrior is with the fans. But she is excellent.

-          Sokka gets what she deserves. But I still feel a bit sorry for him.

-          1. How is that pot Heavy. 2. Aang, don’t be a punk.

-          Warrior’s name is Suki. Nice.

-          BRO! Sokka! Mad props for setting your pride aside. He straight up just knelt before those that humiliated him in the interest of learning and getting stronger. Incredible.

-          Awww, Aang and Katara having a spat is painful.

-          Good work, Sokka. You look great. Also, Suki and Sokka’s Dynamic is choice. Natural and fun.

-          Katara and Aang just swiftly solving their spat was a bit… well… swift

-          Woah, the Unagi is friggin’ crazy looking. Also, gross. Eels. Nasty.

-          Nice work Katara. They amount of swift and natural growth is a bit perplexing though.

-          HOW IS ZUKO ALREADY THERE?!?!? I don’t understand the size of this world and how time works.

-          Seriously, Aang and Sokka were going back and forth about how “lost” they were. There was nothing but ocean. Etc. Yet Zuko get’s there in like… 6 hours…

-          SO yeah, no benders here. Just warriors. Solid

-          Dude, the Warrior’s Fans can deflect fireballs? Sweet!

-          Zuko is quite the force to be reckoned with.

-          Aang’s confidence is admirable.

-          Ooof… Those frames were painfully poor quality.

-          The burden of knowing that destruction follows Aang everywhere is painful. It will be interesting to see how he handles that moving forward.

-          DAAAAMN SOKKA! One, good on you for apologizing. And nice work getting Suki’s respect.

-          DAAAAMN AANG! Real hero shit there. Good work.

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A1S1E3 - Avatar: The Last Airbender

Book 1, Water: Chapter 3 – The Southern Air Temple

I asked that Episode 3 make up for the erratic pacing of Episode 2, and it did.

Episode 3 takes time to allow both the characters and the viewers to process information that is being provided to them. Time to ponder what has happened, what is happening, and what will happen. Allowing us the opportunity to better cement ourselves in the world, the story, and connect with the characters.

I find a stories power is in its ability to feel natural, while still being informative. Think of the number of shows/movies/games that have a Main Character with Amnesia that is used as an excuse to explain everything in the world to the viewer. Avatar could have easily fallen into that trap with Aang. He is disconnected and missed 100 years of war. Yet it never feels we are being force-fed information with Aang as an excuse. Because realistically, people don’t talk like that. Conversation feels largely natural.

Same goes for the arc developing with Prince Two-Face. Instead of blatant drops and explanations. Things are alluded to, hinted at, but never outright just penned out. Which speaking of Zuko. Immediately rising to the top of my character list. Such a powerful character with an impressive level of depth for how little time we have genuinely spent with him. I can not wait to see where he goes and what he does next.

The world now knows that the Avatar exists. Perhaps not in the childlike body of Aang, but that hope exists for relief from the Fire Nation’s Assault. The ruined state of the Air Temple, and the reaction across the world to the Awakening, helps set the stage for the grand journey set to unfold before us.

The Hero’s Journey with The Great Chase in tow. Hopefully the rollercoaster from Episode 2 is behind us, and we can continue climbing into even greater heights.

Find all current Anime Analysis of "Avatar: The Last Airbender": HERE

The Anime Analysis for the next episode of "Avatar: The Last Airbender" is: HERE

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LIVE WATCH NOTES AND COMMENTS:

-          Oh the age of Television when a 30 Minute Time-Slot was actually only like… 17 minutes of new footage. Commercial Space. Intro. Outro. “Last Time”. “Next Time”. Etc.

-          I know they said the Air Nomads were wiped out. I thought they told Aang that. Yet he is very upbeat about seeing his home.

-          Wait… It is pronounced “Eye-Row”!? Why do I distinctly remember it being pronounced “Ear-oh”. Alright, anyway.

-          So, Uncle General Iroh is a renowned hero of the Fire Nation. Do we know/learn why?

-          “Blubbered Seal Jerky” sounds atrocious.

-          Ok. I thought they told Aang about the Air Nomads before. But Katara is telling him now.

-          Aang says the Air Temples are only accessible by Flying Bison. But theoretically, wouldn’t the Fire Nation have Hot Air Balloons at least?

-          Zuko was at sea for TWO YEARS!? Good lord. Ok.

-          How OLD is Zuko? I legit can’t tell.

-          Why is Commander Zhao (Xiao?) questioning Zuko’s loyalty? We haven’t seen much history as to why he wouldn’t be trustworthy. Especially when his father is the Fire Lord. But evil people do Evil Things I guess.

-          100 Years and there is ANYTHING left of the Zir Temple? I am legit surprised.

-          Good Guy Sokka, immediately diverting Aang’s feelings away from what happened to the Air Nomads.

-          Good Girl Katara protecting Aang. Sokka is right. You can’t protect him. But Aang’s innocence is painful to watch, knowing reality.

-          Help me launch cakes straight onto some monks… Damn. Elder got no chill. Or a lot of chill?

-          I think Aang already knows the reality of the world.

-          Does… Sokka know how doors work?

-          The random 3D GCI effects are interesting, since they can be very randomly used. Not a bad thing, just interesting.

-          Does ANYTHING ever phase Uncle Iroh?

-          That is NOT a firebender. That is a creature.

-          SO, if the Avatar follows a cycle. Ruko was Fire. Aang is Air. Korra is Water. Do we never get much in the way of an Earth Avatar?

-          Zuko has… a lot going on.

-          Lemur led Aang straight to depression. Another convenient coincidence. But I guess he had to find out somehow.

-          Did every tribe have an avatar shrine?

-          Yes. Lol. They immediately showed off the other shrines. Ignore me.

-          Yes, send the pretty girl to calm down Zenitsu. It always works.

-          Zuko about to get his ass beat.

-          Ok. Zuko kicks ass. Literally. He is such a real character. Mad respect.

-          Damnit Katara. Don’t make me cry. Stop that.

-          Oh, poor Aang. Thanks for hugging him when I can’t Katara.

-          Good Lemur brought Sokka food.

-          We love Momo.

-          So… How does the “Lineage” of benders work? If Aang is the last airbender, how do we one day get more? Is it a matter of teaching/practice. Or is it genetic? QUESTIONS!

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A1S1E2 - Avatar: The Last Airbender

Book 1, Water: Chapter 2 - The Avatar Returns

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Episode 2’s pacing is all over the place. With both it’s actions and it’s emotions. The Water Tribe is so quick to be furious and completely dismissive of Aang after the incident on the warship. I understand that they are incredibly vulnerable. But if they were aware of the warship, why stay so close in the area. I am going to guess that due to fishing/survival circumstances, as well as the village comprising of Elders and Children, that it wasn’t an option to move. Or perhaps that location was as safe as possible.

But the awareness and readiness of the tribe also shows that they were aware that the Fire Nation could easily have shown up at any point. A presence, as shown, to be so overwhelming that they stood absolutely no chance.

The set-up of the world situation is fine, but I don’t feel it is being realistically reflected by the people within the world itself. At least not at this current juncture.

Zuko initially comes off as a very hot-headed character, both metaphorically and literally. But there is also a very brilliant depth to him that we get glimpses of in episode 2. He is arrogant and motivated, but he isn’t blinded by his own ambition. He chooses to repeatedly disarm Sokka instead of outright murdering him, which he feels very capable of doing. He never truly disrespects Sokka either, outside of just showing how little of a chance Sokka truly has. He accepts Aang’s surrender offer and withdraws without making some grand gesture or display. While he clearly has his own troubles, he is surprisingly controlled and focused for what easily could have been an outrageous and rage-filled character. He clearly has an anger inside him, but it doesn’t define his character.

After being captured, Aang gives us our first display of what feels like genuinely conventional bending. This like blowing air to catch off the guards, utilizing air currents to run on the walls, and the hilarious display of using a mattress to incapacitate Zuko. The creative freedom and energy in these applications in wonderful. Fire Bending initially comes across as an ability with a singular purpose, burn. This is especially true with how it is used by all of the benders on the ship. (With the limited exception of thawing frozen soldiers later.)

As a small note. I know that Uncle Iroh is a beloved character. But let’s not overlook how immediately he accepted Zuko’s order to shoot a bunch of children our of the sky with a twin fireball of death. We could argue he was confident it would work and Aang would defend them. But damn, that is still hardcore.

Also, I am legitimately curious how much modern media has been either intentionally or unintentionally inspired by some of the abilities in Avatar. Aang straight up “Fus Ro Dah”’d the fire nation soldiers escorting him. On top of that, he entered Avatar state after being knocked out and being in a state of extreme danger, straight up Zenitsu style. (Yes, I know Avatar came before Skyrim and Demon Slayer, but that it my point and why I am making the comparison.)

All in all, Episode 2 is a wildly fast paced showing that truly kicks off our character’s journeys. But it does so in a jerking and jarring manner that while uncomfortable at first, will hopefully be easily forgotten by the end of Episode 3.

Find all current Anime Analysis of "Avatar: The Last Airbender": HERE

The Anime Analysis for the next episode of "Avatar: The Last Airbender" is: HERE

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LIVE WATCH NOTES AND COMMENTS:

NOTE: I should apparently really write the drafts in either Microsoft Word or Google Docs or something. Because I lost all of my “Live Watch Notes” for this episodes because the Squarespace Blog Post refreshed and it didn’t save anything. RIP. Lesson Learned.

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A1S1E1 - Avatar: The Last Airbender

Book One: Chapter 1 - The Boy in the Iceberg

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The opening episode to one of the most highly acclaimed animated series in history is happy to display why it receives that praise. The narrator’s introduction sets the scene and premise before handing Appa’s reigns over to the cast and the story truly begins. Every piece of a story is wildly important, and there is a strong argument for the beginning being the most crucial. You need able to grasp a viewer’s interest in those opening minutes, which AtLA does stunningly.

There is a power in storytelling that is hard to achieve, which is presenting a world and cast that feels realistic. As mentioned, AtLA is captivating from the beginning. But it achieves this through the charm of it’s characters and the strength of it’s writing. The characters feel natural and their conversation is organic. There is never an awkward piece of exposition, or finding an excuse for a character’s name to be dropped. It feels, natural, which lends an immersion that is hard to achieve.

However, the opening episode isn’t purely golden winds that carry us to the heights of entertainment. Stories can be grand, but coincidential circumstances that allow a story to start can feel very forced. Katara’s limited ability to bend, while suddenly surging with power over frustration at her brother leading to the freeing of Aang, is incredibly “convenient.” Which, the story has to start somewhere. But it feels like a piece of an outline rather than a naturally occuring storybeat. These conveniences for the sake of set-up don’t stop there either. Zuko just happens to be in the area when Aang trips a trap in the old Fire Nation warship. Why was it trapped in the first place? And it was a Flar Signal Trap that Zuko could see, instead of just outright capturing/harming Aang and Katara? Again, convenient.

I have two last pieces of criticism for our opening episode. First one is that while it is understandable and necessary to cut some corners in animation, you should try to do it in a way that isn’t in the viewer’s face. Zuko sees Aang and Katara running from the ship, and they are moving at about 6 fps and looking like background characters in a striking contrast to the smooth movements when Katara was bending the fish from the water, Zuko’s flaming drills, or Aang’s Airborne Antics.

Finally, how in the world has this war gone on for 100-years? The Air Nomads have been supposedly extinct for 100 years. Which leaves the Earth Kingdom and the Water Tribes. But the South Pole Tribe is absolutely tiny. The intro says the men went to help in the war… But looking at the remaining members of the village that must have been… 10 people?

Meanwhile the Fire Nation appears to have huge warships full of armed soldiers. Either the Earth Kingdom is absolutely massive, or the North Pole Water Tribe better be. Otherwise, buying the idea of a 100-year conflict is hard to accept in the face of such power.

To close, The Boy in the Iceberg is a brilliant set-up with charming characters that made me immediately want to click on the next episode.

Thank you so much for reading this entry of Anime Analysis.

~ Schwahn

Find all current Anime Analysis of "Avatar: The Last Airbender": HERE

The Anime Analysis for the next episode of "Avatar: The Last Airbender" is: HERE

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LIVE WATCH NOTES:

  • Was the FIre Nation army partially 3D? Isn’t this from like 2005?

  • Why would the Avatar been reborn specifically into the Air Nomads?

  • Background Artists aren’t paid enough.

  • The cliche of a characters powers going off behind them due to an emotional moment never gets old.

  • The perfect coincidence of the happenstance of Kitara’s powers freeing Aang.

  • “I won’t get to finish my game.”, Lawl, I’m dead.

  • Is the game that Unle Iroh is playing a real game? Always want to play those weird board games you see in games and movies.

  • Ah the age when there were planned fade ins/outs for commercials.

  • The absent-minded brush-off of Sokka’s spear in Aang’s stomach is choice.

  • Welp… being covered in Bison Snot is a new fear.

  • There is something delightful when a character says exactly what you are thinking. “You sneezed and flew 10-feet in the air.” (Pretty sure it was higher) - Aang: “Really? It felt higher than that.”

  • Calm down Sokka. That leap from a creature that large WAS truly amazing.

  • Is there any reason to believe the ORIGINAL Avatar would still be alive? 100-years? Presuming everyone is human. He should long be dead.

  • Noted, Zenitsu is based on Aang. Dude’s Avatar powers just woke up when he was passed out.

  • How dit Katara JUST NOW notice that he had tattoos.

  • The snow looks like Mayonnaise…..

  • Aang is made naturally more likeable by being good with children.

  • The duality between the two “groups” is really strong.

  • The undertone of everyone’s father’s being gone is… rough. War in general…

  • That penguin had 4 arms…

  • They ALL have 4 arms…

  • Snow still looks like Mayonnaise.

  • Being the ONLY bender would be insanely rough.

  • That also means that none of the Water Tribe that went to help the Earth Kingdom were benders. just regular men. Rough AF.

  • Aang’s purity is cherisable.

  • The snowboarding minigame in Final Fantasy 7 should now be replaced with Penguin Sledding when the Remake gets to the Northern Glacier.

  • Aang is taking the idea that all his friends are dead… rather well

  • So like… why would you booby trap your OWN ship? I don’t get it.

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Garnet Globes - Pilot

The chilled alley air punched through the thin sheets that established the hospital’s borders. Kyrah cried out in pain, her already pale skin draining white at the force of her grip on the bed rails. 

 

I wasn’t allowed near her, there wasn’t space for me in what amounted to a makeshift clinic. I stood partway into the alley, wrapping cloth tighter around my face. I made sure that the fabric lay thickest around my eyes to cast a heavier shadow.

 

Kyrah’s eyes widened, the faint light illuminated their brilliant yellow hue before she slammed them shut. Those golden eyes that enraptured my spirit darted behind closed eyelids as she let out another wail of pain.

 

”Sir?” A soft voice called, accompanied by a light touch to my arm.

 

I turned to look to whom hailed me. A young woman with auburn eyes, they complimented her caramel skin and onyx hair. She leaped backed as soon as my eyes met hers, her entire being forcing itself to the ground.

 

’My apologies, Sire. I didn’t mean to disturb you.” she whispered while choking back a torrent of emotions.

 

I kneeled down and tried to help her back to her feet.

 

”Did you need something, Miss?” I asked, attempting to keep my voice as calming as possible.

 

She kept her head down and didn’t offer a response.

 

“Please, stand with me.” I said while tucking my arm under hers.

 

She complied, but as we stood I could see she was still clenching her eyes shut.

 

”You have no need to behave in such a way around me.”

 

She shook her head.

 

”Your eyes.” She whispered.

 

”I know. Shamrocks. But please understand that I am the one out of place here.” I replied.

 

”What is a Lifekin doing here?” She asked, her eyes still squeezed closed to the point it wrinkled her cheeks.

 

”My child is being born today.”

 

The woman’s eyes shot open. They darted to meet mine, and then towards the delivering table.

 

“But you’re-“ She started.

 

”I know.”

 

”And she is-“

 

”I know.” 

 

“Sire. Your-“

 

”Please don’t call me ‘Sire’, it is unnecessary” I retorted, a bit more fussed than I intended.

 

She pulled away from me and looked back and forth again between me and my beloved.

 

”Your eyes are deeper and greener than the hordes of money your kind lords over us. You shouldn’t be here” she said in a grave tone.

 

”I can’t refute that. But I would not miss her giving birth to our child.” I explained.

 

”You toiled with a sunborn? And offer compassion to an earthchild like me? How are you not dead? Your fellow leprechauns would surely execute you were they to find out.” She asked, her words clipped in disbelief.

 

I parted my lips to respond, but a shrill cry cut through the air. A child’s cry.

 

I withdrew from the exchange with the young woman and hurried to the bedside. The doctor, an older gentleman with azure eyes looked over a baby who continued to wail in her hands. I took Kyrah’s hand, she laid back with deep breaths.

 

“It’s a girl. She looks healthy.” He stated.

 

“Thank you, Rainspawn.” I replied.

 

“Doctor is fine. Here.” He said, placing a crying bundle of cloth in Kyrah’s arms. I looked at the wailing bundle, her skin was flush while she gasped for breath between each loud cry.

 

“I didn’t check her eyes.” He explained.

 

“Doctor. You said she is healthy. That is our concern” I responded, giving Kyrah an affirmative nod.

 

I couldn’t tell if the Doctor scoffed or laughed at my reply. It was likely a combination of both.

 

“I would call you a weird one. But seems a bit moot to say given where we all are. Regardless, I will leave you three alone for a bit. I will be back in a couple minutes to help both girls get ready for discharge.”

 

Without another word, the Doctor stepped outside the curtain wall. I turned to look at Kyrah and our newborn daughter. The shrieks had begun to subside into to a softer whine as Kyrah held the child close.

 

I hovered closer to the two of them. Kyrah was looking down at the bundle in her arms, her breaths were long and slow as she lightly rocked the blankets. I moved closer and rested my head on hers, the sweat was still heavy on her brow and hair. I waited there while she continued to calm our child, my mind racing through possibilities of what was to come next. If she had my green eyes, she could come live with me in a life of luxury, but Kyrah seeing her again would be a near impossibility for who knows how long. Blue I could sponsor her into a decent school at least, but neither Kyrah nor I could be present in her life. Yellow or Brown and I would entrust her to Kyrah, aiding and seeing them whenever I could find the opportunity. But it would be a hard life for her, and especially Kyrah.

 

I didn’t find any of these to be ideal.

 

“Adem.” Kyrah breathed my name, pulling me from my thoughts. I hadn’t noticed that the infant had stopped making any noise.

 

Raising from my relaxed position, I stood and looked down into Kyrah’s arms.

 

I froze.

 

I stared.

 

I wasn’t greated by a powerful brown like that of sturdy Earth. Nor a shining yellow that glowed like the warm sun. Nay a calm blue that were as deep as the seas. Neither a vibrant green that breathed life like the forests and fields.

 

“Red.” I managed to choke out.

 

The child looked up at me with bright, piercing, crimson eyes.

 

She smiled, and the image of a roaring flame flooded my mind.




———

 

Inspiration:

 

Writing Prompt: “You live in a Dystopian world where eye color determines your social class. 20 years later a baby is born with red eyes.“